Bassoon | Cello | Clarinet | Euphonium | Flute | Guitar (Classical)
Harp | Horn | Oboe | Piano | Percussion | Saxophone | String Bass
Trombone | Trumpet | Tuba | Violin | Viola | Voice
Composition | Music Therapy | Sound Recording Technology
The school does not specify audition repertoire; rather, we encourage you to consult with your teacher to choose good literature that you can perform well. Bear in mind that the purpose of the audition is to gather evidence of both current ability and the potential to complete the preferred degree program. Thus, we look for pitch accuracy, correct and steady rhythm, physical coordination, the ability to make expressive musical statements, and disciplined work habits. Instrumental auditions must be unaccompanied. Vocalists are required to audition with an accompanist (NOTE: we encourage you to bring your own accompanist, but SUNY Fredonia will provide accompanists for both on- and off-campus voice auditions).
Students are encouraged to audition on campus, if at all possible. We currently offer an off-campus audition in Long Island, NY (note: we do not audition percussionists at off-campus sites). There is a $25 fee for on-campus auditions; a $50 fee for off-campus auditions. Audition fees are non-refundable. Space in some studios is limited, so you are urged to audition as early in the year as possible. Students wishing to be considered for music scholarships must audition no later than February.
Perform two contrasting movements (slow-fast) from a sonata or concerto showing technique, tone and general musicianship. Contrasting etudes may be substituted. Also perform the chromatic scale (two octaves) and all major scales legato and staccato.
Perform three contrasting movements/works representing three of the following four genres: Baroque, Classical, Romantic, and Contemporary. Also be prepared to perform all major scales and a chromatic scale, all at least 2 octaves.
Violin: Perform two contrasting works. These two selections may be movements from larger works (e.g. a movement of unaccompanied Bach or a first movement of a standard concerto at level of Viotti, Mozart, or Bruch) or shorter, complete works (e.g. a showpiece by Sarasate or Kreisler). In addition, prepare one etude or caprice by Mazas, Dont, Kreutzer, Rode, etc. Prepare two 3-octave scales and arpeggios (major, harmonic and melodic minor)—one in G, A, B-flat, C, D, or E, and one in A-flat, B, D-flat, E-flat, F, or F-sharp.
Viola: Perform two contrasting works (one slower, one faster) from different time periods (one baroque, the other classical, romantic, or modern). Examples: a movement from a Bach cello suite, plus a movement from a concerto by Hoffmeister or Walton. Choose two scales (major, melodic and harmonic minor) and their arpeggios (major and minor) and play them in three octaves.
Cello: Perform two contrasting and complete movements from the standard repertoire. Pieces could include movements from a Bach cello suite, a movement from a standard concerto or baroque or classical sonata, or an etude or virtuoso piece by Duport, Popper or Piatti. All major and melodic minor scales in at least three octaves.
Bass: Perform two or three contrasting movements or pieces showing facility through at least sixth position. The selections should demonstrate musical use of vibrato, and basic bowings such as legato, detaché and martelé. Perform two-octave scales and arpeggios in major and melodic minor in at least two different keys. NOTE: electric bass may NOT be used for the audition.
Perform a memorized solo from the standard repertoire and two etudes that utilize different techniques (i.e. arpeggio, scale, rest-stroke melody). Be prepared to perform from memory any two and three octave major and melodic minor scales (Segovia edition) with rest or free stroke (i-m; m-a). NOTE: electric guitar may NOT be used for auditions. Guitarists must call Professor Piorkowski before scheduling the audition (716-673-4641).
Perform a solo and required materials on each of the following: snare drum, mallets, and timpani (the audition does not include drum set or multiple percussion). The solo for one of the instruments must be upper-level in difficulty (NYSSMA level 5 or 6), while the others may be more moderate (NYSSMA level 3 or 4). Additional requirements:
Perform two contrasting movements (slow and fast) from a sonata or concerto that demonstrates technique, tonal control and general musicianship. Perform representative scales and arpeggios.
Perform three memorized solos in contrasting styles (e.g. Baroque, Classical, Romantic). Major and harmonic minor scales and arpeggios in four octaves (all keys for Performance applicants, keys starting on white notes for others).
Perform three memorized selections (four if auditioning for Performance or Music Education) chosen from the standard classical vocal literature. The selections must include at least two languages and contrasting styles. Note: musical theatre, jazz, or other styles are not acceptable.
As the degree for the Bachelors of Music in Composition calls for a number of various skills and abilities, there are several steps in auditioning for the composition program.
Audition for the School of Music on your primary instrument (or voice). A private interview is also required for admission to the degree program in Music Therapy. Those who audition off-campus will be contacted by the School of Music about an interview once audition results are known.
Audition for the School of Music on your primary instrument (or voice). A private interview is also required for admission to the degree program in Sound Recording Technology. Those who audition off-campus will be contacted by the School of Music about an interview once audition results are known.
The School of Music receives many more applications than we are able to admit, so we strongly recommend auditioning before the final date — especially in areas of highest demand: voice, saxophone, flute, trumpet, trombone, percussion, and Sound Recording Technology.
About off-campus auditions: Representatives from the School of Music hold auditions each January on Long Island and in the Albany area. While auditioning at one of these sites may be convenient for you, please understand we may record the audition in order to facilitate evaluation. Percussion auditions are not held at the off-campus sites. Also, off-campus auditions will not include the computer-administered Music Theory test. This will not make a difference in the admission decision. If you choose to audition off-campus, we strongly recommend that you participate in one of SUNY Fredonia's Open House visitation days.
Applicants interested in the B.F.A. Musical Theatre degree program must complete the Musical Theatre audition form available through the Department of Theatre and Dance. Contact the Department of Theatre and Dance for more information at (716) 673-3596 or firstname.lastname@example.org. An audition with representatives of the School of Music and Department of Theatre and Dance is required.